X-Men Unlimited #3

X-Men Unlimited #3

Writing: Fabian Nicieza

Art: Mike McKone

This issue takes place between Uncanny #308 and X-Men #28

What Went Down:  Maverick breaks into a church to discover the grisly murder of a priest.  He is tracking Sabretooth, and discovers the mutant holding another dead priest.  Sabretooth is on a killing spree because his assistant Birdy, a telepath, died and is no longer around to give him the “glow” which calms him down.  The two fight, and Sabretooth manages to stab Maverick with his claws before fleeing.  Maverick decides he needs Wolverine’s help.  In Germany, we see an old man named Mr. Geinstach attempting to hire a mercenary named Bashur to kill Sabretooth because of his killing spree.  It turns out all the victims were members of a government operation, even the priest.  Bashur refuses the job since the potential for failure is so high, but recommends Maverick and Wolverine.  He also deduces that Sabretooth’s next target will be in Japan due to the conspiracy.

In Westchester, Gambit is freaking out as Rogue drives like a maniac on the road; Maverick is tracking them.  When the X-Men return to the mansion, Bishop greets them with his guns drawn.  He was worried because they entered without activating the perimeter override, but apparently it can just read biosignatures, so it doesn’t matter.  While all the X-Men argue, Maverick attacks them with anesthetic gas and tranquilizer darts.  After taking down the three X-Men, Beast and Professor X show up and calmly ask Maverick what he’s doing.  He’s here to recruit Wolverine, and decided it was somehow easier to attack the X-Men first.  Beast explains that Wolverine left the team after losing his adamantium, but offers the X-Men’s help.

Sabretooth meets with the merc Bashur, asking where he can find a telepath.  Bashur tells him that there is one on the Yahsida estate, and that Maverick is already on his way.  On the Blackbird, Bashur contacts Maverick and tells him what he told Sabretooth.  Maverick and the X-Men debate whether they should kill Sabretooth, and the team decides to split up.  Rogue, Gambit, and Bishop go to Germany to protect Geintach, while Beast and Maverick go to Japan.

In Germany the X-Men find everyone dead, and Sabretooth ambushes them.  Rogue accidentally absorbs Creed’s memories, and Bishop is forced to let Creed go for Rogue’s life.  In Japan, the remaining two protagonists meet with the Silver Samurai and agree to help him fight Sabretooth, despite having been adversaries as recently as X-Men #22. 

Sabretooth fights through the ninja guards and discovers that the telepath in question is an old man whose mind shut down after the bombing at Nagasaki.  The man wakes up long enough to link everyone’s minds.  Creed thinks back to his Team X days when he was assigned to kill a man and his family.  Creed had to chase the young boy, who only wanted to say goodbye to his pet rabbit. Sabretooth has been killing everyone connected to this operation.  When Beast wakes up, the old man has been killed by Sabretooth, with messages of help written in blood on the walls. 

Sabretooth decides to go to the X-Mansion.  Professor X calmly greets him and holds him off with his mental powers. The X-Men show up and Bishop shoots Creed in the head.  Using this opportunity, Xavier enters Creed’s mind to view a memory of a young Creed locked in a basement and forced to kill a rabbit to survive.  Having learned harshly that killing is the only way to survive, Xavier feels sympathy for Sabretooth and offers to help him.   He tells the X-Men that Sabretooth will be staying.  We end on Creed and Xavier standing in the Danger Room simulating the outdoors.  Xavier explains that he is a prisoner, and that Charles is man enough to stop him.

How It Was:  This is a slight improvement over last issue and does significantly impact the main titles for years to come.  Also it works a lot better because the focus of the story, Sabretooth, has a lot more to do and say this time, as opposed to dozens of people just talking about him.  Sabretooth actually feels dangerous here as he’s finally allowed to kill people, and while the bunny rabbit thing is corny, I like what it says about the character.  The idea that he was conditioned as a young child to think that killing is a means to survival, that attachment is a weakness, well that’s as good a take on what motivates Sabretooth as any.  It’s better than, “I just like killing people because I’m evil.”

The X-Men don’t come out too well this issue.  They get taken down once by Maverick and again by Sabretooth in a matter of a few panels.  What’s worse is how repetitive the action is.  Sabretooth holds a character by the neck and threatens to kill them no less than three times this issue.  Although I will admit that the repetition does pay off in the climax when Bishop once again has Sabretooth at gunpoint and just shoots him in the head.  Maverick doesn’t get a lot to do once he shows up to explain the plot to the X-Men, and the Silver Samurai is similarly wasted.  Sure we get to see him eventually in his armor carrying his cool glowing sword, but he doesn’t ever actually use it.  His only role is to be the caretaker of the plot device old man.

You know who does come out great in this issue?  Xavier.  Man he’s tough, not even blinking when confronted by Maverick or Sabretooth.  The surety of his position is fantastic as he makes his decisions without giving a crap about his students’ positions because he knows that morally he’s right.  Who are they to judge Sabretooth when he hasn’t had any of the benefits that the other X-Men have had?

Mike McKone’s art is disappointing.  When characters are standing around and talking, they look fantastic, but any time they fight on the same panel it looks awkward and stiff.  Thus the emotional stuff works a great deal better, and the action is dialed back quite a bit.  There’s one bizarre sequence where the X-Men are between Sabretooth and the telepath, so he dives through a door or window and ends up next to the telepath.  Also Gambit’s eyes should be red in the opening, but that’s not McKone’s fault.

Ultimately this is a much more satisfying villain-centric story.  It’s still padded out quite a bit (the killing debate could be a little shorter), but there’s enough here to make you think the writers have bright plans for the future of Sabretooth and the X-Men.  Xavier gets some awesome moments, and although Sabretooth’s flashbacks are a little sappy, they work as a way of taking him beyond the two dimensional maniac he’s always been, especially now that Wolverine isn’t around anymore.

For X-Fans

X-Men #23

Chronologically I have the Gambit mini-series after this.  So read this, then go here.

X-Men #23
Writer: Fabian Nicieza
Artist: Andy Kubert

What Went Down: Cyclops starts off the issue by blasting a hole in Mr. Sinister’s midsection; however, Sinister is actually immune to Scott’s optic blasts, and his death after the Inferno Saga was just a ruse to allow him to lie low. But Sinister isn’t here to fight. He wants to tell Cyclops about the Legacy Virus that Stryfe created and Sinister accidentally unleashed at the end of the X-Cutioner’s Song. We also learn that Sinister’s head geneticist died of the virus. When asked why he is telling Cyclops this, Sinister slips that he wants to protect Cyclops and his “brothers,” before correcting himself, since at the time Cyclops only had one brother, Havok of X-Factor. Some people also speculate that Sinister himself was infected, but this is never confirmed. This is the beginning of the “third Summers brother” subplot that goes on and on until it is answered in a little over a decade in X-Men: Deadly Genesis. As they talk, the Dark Riders ambush the pair to test them.

At Nyorin’s residence, the X-Men have Nyorin and Silver Samurai restrained and are interrogating them. Nyorin reveals that both women are Betsy Braddock, in that they are both a mixture of Betsy and Kwannon’s attributes that somehow fused after they touched. Nyorin also tells the X-Men about the Upstarts and Shinobi Shaw.

Back in the states, Wolverine and Rogue are telling Xavier that they found evidence that Magneto is still alive in the Savage Land during Wolverine #70-71. Xavier doesn’t want to believe it. Wolverine gets angry—you can tell because he is drawn with his angry red eyes.

For the first, and only, time ever, Sinister and Cyclops team up to beat the Dark Riders. After they are beaten, Sinister tells them not to kill Scott Summers before teleporting away. The Dark Riders take this command literally by trying to cripple Cyclops instead.

Gambit and Beast surprise Shinobi Shaw while he is taking a bath with many beautiful women. They tell Shinobi that they know about the Upstarts and make a couple of jokes about his nudity. Outside, Matsuo attacks Psylocke and Revanche, but is soundly beaten within two pages.

Poor Cyclops has to take on the entire Dark Riders team by himself. After losing his glasses, Tusk hits him and then the team returns his glasses claiming that the test is complete. The Dark Rider Hardrive announces that Cyclops has passed and that he is worthy to face the coming storm. This is a lead into the Ascension of the High Lord—a battle between Apocalypse and Stryfe…that never happens and gets forgotten about after the next issue. The Dark Riders teleport away, leaving Cyclops all alone.

How It Was: My, this issue is more of a mixed bag than a bag of delicious Chex mix. Ouch, that was painful to read, but not as painful as the double Psylocke storyline. Nyorin fills in a couple of blanks that the readers have already guessed, Silver Samurai contributes absolutely nothing, and then Nicieza remembers that Matsuo has something to do with this story, so he has the villain appear in a weak two page attempt to kill the Psylocke twins. The part where Gambit and Beast barge in to intimidate Shinobi Shaw is pretty entertaining, but since the Upstarts story is about to completely disappear from the X-Men books, now it reads as completely worthless material.

On the other hand, the scenes with Sinister and Cyclops are really good. These scenes manage to maintain some tension since Sinister is obviously a threat, but Scott knows that if what he is saying is true about the Legacy Virus, all of mutantkind could be threatened. The Legacy Virus is a solid storyline that dragged on way too long for its own good before becoming an on again, off again focus of the X-books for the rest of the decade. The fight with the Dark Riders also works really well; those poor losers just can’t win one. However, once again these scenes just serve as set up for plot threads that get forgotten about. In fact, I think this may be the last time we see the Dark Riders anywhere in the X-Men titles. Oh well, at least the X-office did set up one storyline with this issue that actually gets resolved—the Magneto thread that obviously leads into the Fatal Attractions crossover—coming soon to Illegitimate Children of the Atom. So we have three plot lines that go somewhere and two that go nowhere, which is really not a great way to run a comic book.

B-

X-Men #22

X-Men #22
Writer: Fabian Nicieza
Art: Andy Kubert

What Went Down: Previously in X-Men: when we last left our heroes they were about to engage in combat with the Silver Samurai. In this issue, they do indeed fight the Silver Samurai…for about five pages before beating him. Also, Beast is better now after being cut across the back with a katana blade charged with energy. During the fight, the Samurai stabs the picture of Kwannon, and afterwards Gambit discovers that the picture is actually hiding Nyorin’s diary.

In Tokyo, Shinobi Shaw meets with Matsuo, Nyorin, and the apparent leader of the Japanese underworld Lord Tatsuo. Tatsuo knocks Shinobi on his bottom for being arrogant and overconfident.

Across the pond in Alaska, Cyclops has just finished telling his grandparents about the death of Madelyne Pryor, and how he was forced to send his son Nathan to the future to save him. The grandparents are appropriately dismayed and confused. Scott is in the middle of telling them about Cable when they are interrupted by the Summers’ neighbor Mike Milbury asking to borrow a chainsaw. Super X-Men fans will note that Milbury is an alias often used by X-villain Mr. Sinister; other x-fans will just note the depiction with the red diamond on Mike’s forehead.

Even though she claims to be the original Betsy Braddock, Revanche is the only one capable of reading the Japanese diary of Nyorin. Rather than read the diary out loud, she decides to stab Psylocke with her psychic sword, allowing her to learn the story in the scroll. This version states that Kwannon was supposed to be on a mission when she discovered Betsy Braddock’s unconscious body. When she touched the body, Kwannon and Betsy’s minds merged for a bit. Kwannon than ran off to Matsuo while Betsy was found by Nyorin and aided so that she could bring back the woman he loves, Kwannon. Revanche is still sticking to the story that Psylocke is an impersonator.

The Gamemaster appears to Shinobi and Matsuo to basically explain that he is letting Matsuo kill Psylocke because he feels like it. The two Psylockes prepare to fight each other again, but Lord Nyorin and Silver Samurai interrupt them. Nyorin claims that both women are who they claim to be. Back in Alaska, Mr. Sinister confronts Cyclops outside in an ominous fashion.

How It Was: What a long story this turned out to be. Everything is basically the same as last issue. The two Betsys are threatening to beat each other up, Gambit and Beast somewhat humorously interject, and Cyclops is sad while with his grandparents. The fight between Silver Samurai and the X-Men is a nice distraction for a couple of pages, but ultimately just serves as a distraction to string out the plot. There is no real tension since he is outnumbered and dispatched fairly quickly.

But the major flaw with this story is Nyorin’s diary. First of all it reveals a brief, boring story with no twists that Nyorin couldn’t possibly know anyway; second, in about ten issues this story gets retconned and the diary is written off as a red herring left by Nyorin to confuse the girls. Add to that some meaningless scenes with Shinobi Shaw and the criminals of Tokyo, and you get one dull issue. At least the introduction of Sinister promises something potentially interesting, which it delivers.

Also, what really bothers me is all the characters getting summarily defeated, then showing up later in the same scene perfectly healthy. This happens to both Silver Samurai and Beast, who should both be out of commission for the rest of the story if Nicieza didn’t just have them waking up when they’re needed. Granted Nicieza had a difficult mandate for this story, but that doesn’t excuse this.

D+

X-Men #21

X-Men #21
Writer: Fabian Nicieza
Artist: Brandon Peterson

What Went Down: We open on an awesome page spread of Wolverine’s claws pinning Psylocke’s head to the wall. She is asked whether she is really a spy for Lord Nyorin, an accusation that she refuses to acknowledge. Surprisingly, most of the X-Men believe that Revanche might be telling the truth, despite her having no proof other than her body. Psylocke doesn’t help her case by refusing to be scanned telepathically, although she claims that is because she is tired of being violated after her experiences with Mojo and Slayback; this is also meant to explain her more aggressive attitude in the X-books. Wolverine tells Xavier that neither of the Betsys is lying or telling the whole truth; since Revanche knows Ninja moves that only Psylocke/Kwannon should know, there is reason to doubt her story as well. Xavier decides that the team needs to go to Japan.

Up north in Alaska, Cyclops’ plane arrives at the airport, and his grandparents Phillip and Deborah Summers arrive to pick him up. After arriving at the cabin, Scott announces that he is going to tell his grandparents the truth about the deaths of his wife and child.

Slightly less north, in Seattle, Mesmero is being chased by the Dark Riders. Mesmero is able to hypnotize one of the riders, Psynapse, but he is killed by another member (actually years later he turns up alive, claiming that he hypnotized the Dark Riders to make them think he was dead). The remaining Dark Riders kill Psynapse, believing he is unfit because he is sick. Actually, he is supposed to be another mutant infected with the Legacy Virus.

Jumping around the globe again, this time to Tokyo, Lord Nyorin visits a drunken Shinobi Shaw. Shaw makes a deal that he will petition to reinstate Clan Yashida (the clan formerly run by Wolverine’s deceased girlfriend Mariko) if he receives help killing the X-Men.

Outside the Nyorin Estate, Gambit, Beast, and the two Betsys are sneaking in—Wolverine decided not to go because the memory of Mariko Yashida’s death is too fresh, so he goes off to the Savage Land with Rogue and Jubilee in Wolverine #70-71. The group in Japan is attacked by ninjas, which they easily defeat. Afterwards they discover a painting depicting Psylocke with two swords called “Kwannon in Repose.” Back at Shaw’s Tokyo estate, Shaw learns that Matsuo Tsuryaba has petitioned the Gamemaster to have Psylocke spared. Shaw is angry but agrees there is nothing he can do.

Back at Nyorin’s, Psylocke is getting ready to attack Revanche again when the Silver Samurai sneaks up on the Beast and slashes him in the back. He reveals that he must kill the X-Men for the sake of Clan Yashida.

How It Was: More Betsy Braddock battling. Alliteration aside, this story is amounting to be less than spectacular. Psylocke is really angry, understandably, because none of her friends are taking her side. At the same time, the rest of the X-Men have nothing better to do except for question who is telling the truth and yelling at the two to stop fighting. Even Gambit and Beast seem fed up with this storyline, focused more on getting the job done than uncovering the truth.

The other subplots don’t fair well either. The Cyclops thread is completely standard as all he does is go on to do what he said he was going to last issue. The Dark Riders subplot is actually really interesting, revolving around the Riders testing characters to see if they are worthy and killing the ones who are not. Unfortunately this entire subplot gets dropped after the next four issues and is never brought up again, so the “death” of Mesmero really happens for no reason. Matsuo’s machinations really make no sense in this initial version of the origin of Psylocke/Revanche; the later version clears up this inconsistency, but it is hard to rectify it at this point.

Peterson is filling in on art and it looks decent for the most part. The ninja fighting scenes, as well as the Mesmero chase scene, are all very nicely organized and depicted. However, his Revanche doesn’t look as good as Andy Kubert’s, and once again some of his characters look stiff and robot-like, particularly the panels with the drunken Shinobi Shaw. And there is definitely a problem when Shinobi Shaw is trying to kill Matsuo, and it is impossible to tell one character from the other.

This story continues to chug along at an all right pace. Because most of this story is retconned later, and it was never really that exciting to begin with, it’s hard to recommend this book to anybody other than X-completists.

D+