Showing posts with label Jae Lee. Show all posts
Showing posts with label Jae Lee. Show all posts

Saturday, June 19, 2010

Uncanny X-Men Annual #16

Uncanny X-Men Annual #16
Writing: Fabian Nicieza, Chris Cooper, and Skip Dietz
Art: Jae Lee and Herb Trimpe

What Went Down: We are introduced to the Death Sponsors in their one and only appearance, as far as I know. They are a group fighting for a pirate channel that is seeking to usurp viewers from Mojo’s channel, thus placing them in charge because in that world whoever has the highest ratings controls the world. The team consists of Sweepzweak, Deadair, Lead-In, Cancellator, and Timeslot. Are you laughing yet? Their shadowy boss is Mojo II, and he sends them to Earth to complete one of three tasks in order to gain higher ratings; either find Spiral, Arize, or Longshot. Since Arize is the focus of the crossover, he is their target for this issue.

Cut to the mansion where—surprise, surprise—the Gold Team is in the Danger Room running a simulation; this one involves rescuing innocents from a burning building. Can you tell Nicieza was having trouble filling up pages? At any rate, Colossus is stuck holding up the building while Storm, Iceman, and Archangel are looking for people. This leaves new recruit Bishop to be blindsided by Apocalypse. Rather than allow Colossus to decide between saving him and holding up the building, Bishop brandishes a gun and threatens to kill himself rather than be used as a bargaining chip. Professor X ends the session, and everyone comments on how unpredictable Bishop is.

Meanwhile Jean is sifting through Arize’s memories, trying to help him remember who he is. Essentially he is responsible for creating any humanoids that are in Mojoworld, and he feels bad that they are all slaves. He also created Longshot, and gave him self-determination. Arize worries that he is responsible for many deaths even though he can’t remember how; the Professor and Jean console him.

For some reason, the Death Sponsors appear in Japan. Shortly after that, they detect Arize and teleport to the mansion. What’s the point? Why to fill up three pages.

Back at the mansion, Bishop questions the Professor about why they are bothering with Arize. The answer is basically: because that’s what heroes do, although Jean makes a weak attempt to frame Arize as a mutant in his world because he is different and an outcast. The alarm goes off and the Gold Team fights the Death Sponsors. The X-Men hold their own until one of the Sponsors activates a power disruptor that turns off all of their powers. Bishop draws his rifle while one of the Death Sponsor’s restores Arize’s memory. As they teleport away with Arize, Bishop shoots the teleporter, which causes them to teleport without Arize because they are all mind linked, for some reason. Bishop even throws in a groan inducing “Hasta la vista, baby.”

After regaining his memory, Arize decides to leave the X-Men to try to help save his world from Mojo. The rest of the Gold Team comment on Bishop and his unpredictability again; they wonder whether or not they can trust him.

What Else Went Down: Archangel is fighting Mandroids at a laboratory of some kind. While rescuing a scientist, he gets shot. As he lays dying, a blue woman named Amalgam appears and talks about how this is the second time she has met Warren.

A flashback occurs to the Morlock tunnels during the Morlock Massacre, after Angel was stabbed in the wings. She offers Warren the chance to give her his powers and memories so that his death will not be in vain. Then she turns into Cyclops and Beast to try to convince him. Warren finally agrees, but as she absorbs his powers, she uses Destiny’s powers to see that he is needed in the future.

Warren then wakes up as Archangel in the present in the infirmary of the mansion. All of the X-Men comment on how happy they are that he survived.

What Else Went Down: Bishop is outside brooding, and Storm decides to make an attempt to get him to open up. Basically Bishop is homesick and feels guilty about letting his companions Malcolm and Randall die. He also brings up a tree that survived in his time as the only remaining marker of the school. The original class of X-Men allegedly planted it, but in the present it doesn’t exist. Storm leaves Bishop to his brooding, and he falls asleep outside. When he wakes up, it is raining and Storm has planted a tree in the spot, giving Bishop hope for the future.

How It Was: A minor, oh so minor improvement over the first part of Shattershot. On the one hand, the Death Sponsors are a lot cooler looking and more imposing than Mojo’s assorted henchmen from the first part. But unfortunately they are stuck with the gimmicky names and barely half a personality to share between the entire group. But the fight is far more entertaining then the previous one, and Nicieza manages to get some tension going towards the end, although he has to have a contrived power neutralizer to get the rest of the team out of the way. And Bishop gets a legitimately cool and redeeming moment, and then ruins it by quoting the Terminator.

But the same problems also crop up in this issue. Once again Nicieza starts with an unnecessary Danger Room sequence for lack of a better idea. Once again there are scenes with the villains that add nothing to the story, such as having them appear in Japan, realize they are in the wrong spot, and leave Japan. And there is Arize, whose origin is given a little more detail, but most of it was easily pieced together from the hints last issue. Plus, if you’ll remember my X-Cutioner’s Song reviews, Jae Lee’s art continues to not impress me. Although I will go as far as to say that the Death Sponsors' designs really benefit from his style, and the fight scenes and dream scenes he draws are pretty dynamic. However, the scenes where everybody is talking just look odd when matched up with the art. Probably the best chapter of Shattershot, but that isn’t saying a lot.

As for the back up stories, neither one really affects the overall narrative of the X-Men or makes a huge impression. The Archangel/Amalgam story is just weird and feels like a part of a bigger story that never got started. Also, if her thing is to take dead people’s powers and memories, why does she use Cyclops and Beast as examples? If she can travel throughout time, why doesn’t she go to Warren’s actual final death? It just doesn’t feel like it was that thought out. As for the Bishop story, it’s kind of mushy and doesn’t really matter at all. Both back up stories are pretty bad for this chapter.

C

Wednesday, April 21, 2010

X-Factor #86

X-Factor #86
Writer: Peter David
Artist: Jae Lee

What Went Down: Part 10 of the X-Cutioner’s Song. Last issue, Cyclops and Jean Grey escaped Stryfe’s base; unfortunately, his base was on the Moon, so now the couple starts off this issue dying of exposure in outer space.

On Earth, Wolverine is filling in the rest of the X-Men on the “discovery” that Stryfe’s base is on the Moon from last issue. Havok even pokes fun at the ridiculousness of the reasoning behind the reveal. The remaining X-teams organize themselves into squads, and Storm tells Cable, Bishop, and Wolverine to wait for them. Before they go, they want Apocalypse to fulfill his end of the bargain and cure Xavier.

Back at the Moon, Stryfe shows up to rescue Cyclops and Jean with a bubble full of air. Stryfe tells them that their escape was planned and that he will save them if they beg for their lives. When they refuse, Stryfe gets a little ticked.

All the X-Men threaten Apocalypse in case he decides to double-cross them, while Multiple Man alerts Havok that the X-Patriots most likely escaped the hospital. They lie to their boss Val Cooper about there being anything wrong.

Apocalypse begins the process of curing Xavier, but he refuses to tell anybody what he’s doing. Everybody panics because it looks like the virus is enveloping the Professor, but Archangel insists that Apocalypse is their only hope. Then Apocalypse sucks it in himself, a big flash of light occurs, and then Xavier is cured.

There’s a brief scene of a doctor discovering Multiple Man’s duplicate unconscious in the hospital bed. As I’ve said before, I don’t know where this plotline goes from here.

Cable’s group decides to go ahead and teleport to the Moon. After they arrive, they discuss stealthily infiltrating the base before being confronted by the Dark Riders and an army of soldiers.

How It Was: Everything starts coming together rather nicely towards the end as a bunch of the conflicts do get resolved. Everybody learns where Scott and Jean are (and I love how David pokes fun at the stupidity behind the logic they use), and Xavier gets cured. Of course, Apocalypse’s cure does read as a bit of a lucky convenience, i.e. deus ex machina, but it’s a comic book virus so I guess it makes as much sense as anything. The conflict over Xavier’s cure due to the villain’s refusal to explain his tactics is pretty unnecessary, and the tension doesn’t really work at all.

The scenes on the Moon with Scott and Jean aren’t really that compelling either, as once again we see Stryfe underestimate the couple when they refuse to beg for their lives. But I will say that Jae Lee’s art does look particularly good when depicting space; both the gritty dark backgrounds and the panels utilizing negative space provide a very cool effect to look at. The scenes where Apocalypse is curing Xavier are also pretty unique to look at. But there are still some very awkward expressions, such as Havok’s on the second page. And unfortunately, Wolverine, Cable, and Bishop sit around doing nothing for like the third straight issue in a row.

While a lot of subplots get resolved, there isn’t really a lot to this issue; most of the scenes seem a little too long and not a lot actually happens. I don’t think it should take three pages to establish that the kidnapped X-Men are on the Moon, nor do I think that four pages should be used to have the X-Men yell a variety of threats and ultimatums at the only guy who can help them. There are some really good moments, but it just feels like the book is just stalling for time until the next issue. At least things actually take place.

Random Fact: The following issue of X-Factor featured a new regular artist by the name of Joe Quesada. Of course, this is the same man who would go on to become the current Editor and Chief of Marvel Comics. Who would of thought?

B-

Wednesday, April 7, 2010

X-Factor #84

X-Factor #84
Writer: Peter David
Art: Jae Lee

What Went Down: Part 2 of the X-Cutioner’s Song, and my first non-X-Men book review. Anywho, X-Force starts off the issue pretty perplexed after the events of last issue. They decide that they owe it to Cable to find out what’s going on, so Cannonball, Rictor, Boomer, and Feral go off to the crime scene to look for clues. Also, Sunspot is injured in this issue, but he’ll be better by the next issue of the story.

Professor X is rushed to the hospital with X-Factor and Val Cooper right behind. When they are barred from going into the emergency room, Wolfsbane scares some orderlies.

Storm and Bishop meet up with X-Factor in the waiting room. Quicksilver, Polaris, and Multiple Man are guarding a member of the X-Patriots in another hospital room (I’m unfamiliar with this storyline, so I can’t tell you much about it). Strong Guy and his girlfriend Jo Beth also show up; I am also unfamiliar with Jo Beth, but since she was nowhere to be seen in the previous issue, I believe that this is a continuity error. Strong Guy and Wolfsbane are dispatched to the crime scene to see if they can pick up Cable’s trail.

Archangel is moping around again, this time because he failed to save the Professor; at least he isn’t crying. Guido and Rahne arrive at the scene before X-Force, so they decide to hide. Wolfsbane approaches the team since most of them used to be her teammates in the New Mutants. Guido tries to arrest X-Force, and Cannonball offers Rahne a chance to join his team. She refuses because she doesn’t trust them.

A fight ensues. Quicksilver joins them, followed shortly by the rest of X-Factor. We also get our first Feral vs Wolfsbane fight, for you fans of similarly designed characters with different color schemes. Rictor shoots X-Factor’s plane out of the sky. X-Force gets away, but Havok is able to hit their plane with an energy blast. Right after X-Force escapes, the blue team shows up to ask if they can help. Alex asks where his brother is, and Wolverine is reluctant to tell him Scott’s been captured.

At the same time the Horsemen are delivering Scott and Jean to someone who looks like Apocalypse, but it is really Mr. Sinister in disguise.

The final scene has the doctor of the hospital explaining Xavier’s condition to some of the X-Men and Val…he has been infected with a techno virus. The X-Men decide to take him back to the mansion. Also, the New York hospital appears to have placed Xavier in a bacta tank from Star Wars; what ever happened to a normal hospital bed?

How It Was: The first thing that is going to jump out at you is Jae Lee’s art because it definitely stands out from your traditional Marvel House Style. It’s bold, heavily shadowed, and the characters’ features are pretty exaggerated. It’s not bad, but it’s not for me. While it’s definitely interesting to look at, the style makes a lot of the characters look older and some of the expressions just make them look maniacal; to me it almost gives off the tone of a horror book.

As for the story, it’s still chugging right along. We have our first of two battles with X-Force, some more villains are revealed, and it is revealed that the Professor has an incurable virus to cure. There is also a nice New Mutants reunion for the fans. Peter David’s strong suits were always character interaction and humor. Plus all of the characters get a chance to shine in this issue.

Definitely worth your time.

B+