Uncanny X-Men #306

Uncanny X-Men #306
Writing: Scott Lobdell
Art: John Romita Jr.

What Went Down: Archangel and Jean Grey decide to take some time off at Warren’s Colorado vacation house on the anniversary of the death of Candy Southern--Archangel’s girlfriend during the days of the original X-Factor. The two friends reminisce about growing up in the X-Men, comfort each other over the death of Candy, and then they are both shocked to discover Candy still alive in Warren’s house.

At the mansion, Xavier is training with Quicksilver in the Danger Room. Beast and Quicksilver are both concerned that Xavier is becoming obsessed over Magneto. In an anti-gravity challenge, the two combatants fight to a standstill. Xavier refuses help from Pietro, and Quicksilver warns him about being too proud to ask for help.

Back in Colorado, Archangel is understandably disturbed, and Jean confirms that whoever she is, this Candy has all of the old Candy’s memories. In downtown New York, Storm meets Forge at a fancy restaurant. Forge has invited her out to ask if they can still be friends, to which she agrees. The couple then proceeds to engage in one of those awkward dancing without music scenes that never comes off as cute as it’s meant to.

Jean decides to take Archangel and herself into Candy’s mind to witness her last memories in order to figure out just who she is. Apparently Candy was aware of being kidnapped by Cameron Hodge the whole time. The next thing she knew, she was under some sheets being resurrected by some shadowy characters. A trap in Candy’s mind stuns Jean and Warren long enough for the Phalanx infected Cameron Hodge to materialize. Hodge reveals that this Candy was created from parts of himself, so that when Archangel attacks Hodge, he hurts Candy. Candy refuses to once again be a pawn of Hodge, so she rips herself apart. Hodge explodes, and Candy’s mangled body lasts just long enough to thank Warren before expiring.

How It Was: Another Lobdell issue where the relationships shine. The interactions between Warren and Jean are pitch perfect for the entire issue, whether they are casually flirting with each other or comforting one another over various tragedies in their past. The back and forth between the two is just wonderful. Once again we also get a chance to see Xavier obsessing over Magneto; however, this particular scene doesn’t resonate as well since it contains a Danger Room exercise that has no real relation to anything that might actually occur in a confrontation with Magneto. The interactions between Archangel and Candy also manage to get some sadness and emotion out of the reader as well. It’s a nice little story that brings some closure to the relationship that never really existed in the original “death of Candy” story. Even though a fake, we discover that Candy’s feelings for Warren were strong enough for her to give her life for his. The only weakness character-wise would probably fall on the villain Hodge, since he has no real motivation for screwing with Warren other than just being a tosser.

John Romita returns after taking an issue off to work on the double sized issue #304. Some pages really shine, especially any page depicting techno-Cameron Hodge or Candy after her body starts to break down. Conversely, there are some spots that feel a little rushed, as if Romita was struggling to get back on schedule. Quicksilver particularly bears little resemblance to what he is actually supposed to look like, and many of the characters’ faces appear too heavily shaded at times. Plus the flashback of Candy’s death is depicted in some truly hideous neon colors. Still, I really like this issue because it is one of the few that manages to make Archangel both likable and interesting, a truly impressive feat.

B+

Uncanny X-Men #305

Uncanny X-Men #305
Writing: Scott Lobdell
Art: Jan Duresma

What Went Down: Before I hear any complaints: no this isn’t a mistake and yes there is a storyline that takes place smack dab in the middle of the Fatal Attractions crossover. Today, Marvel probably would have labeled the issues in question as some kind of crossover fallout event, but the 90s were simpler times.

Anyways, mysterious soldiers that somewhat resemble Judge Dredd are camped outside of Opal Tanaka’s house, but they are ambushed by the X-Men. Rogue, Bishop, and Iceman defeat the soldiers, although two of them dissolve into pink slime. Opal is also quite angry with Iceman for being used as bait and at the very absurdity of her boyfriend’s life. She finally breaks up with Iceman, this time permanently.

In Washington, Storm and the Professor are attending a fancy party: among the guests are Senator Kelly and an ambassador by the name of St. Croix (no relation to Monet St. Croix, a character who will appear later in this title). The ambassador turns out to be a human member of Xavier’s Mutant Underground, a group dedicated to preserving mutantkind by keeping Xavier informed. Storm asks the ambassador why he puts his career and life on the line for mutants, and the Ambassador tells the story of his wife Lenore who was injured by a drunk driver, and was denied medical care because it triggered her mutation and scared away the paramedics, resulting in her death.

In the Blackbird, Iceman’s team is attempting to interrogate the surviving member of the soldiers. Rogue tries absorbing his memories, but the result causes her physical form to dissolve. The reason for this is that the soldier is an early form of the Phalanx, an alien race that is made up of techno-organic fibers. Outside the party, Xavier asks Storm to steal data on a power suit that is being tested to use against Magneto. Storm is hesitant to do so.

Bishop uses his powers to absorb some of Rogue’s powers so that she will regain her form. Back in D.C., Storm recalls encountering Xavier when she was a child. As she breaks into the facility, she questions whether or not Xavier might have used his powers to plant a hypnotic suggestion that compelled her to join the X-Men. Storm returns to Xavier with a disk containing the schematics of the suit, but she refuses to destroy it since the humans have every right to try to protect themselves. Storm leaves Xavier and tells him that she will never steal for him again.

How It Was: An odd little interlude that introduces us to the Phalanx (even though we don’t know what they’re called yet), ends Iceman’s go nowhere relationship with Opal, and introduces some potentially interesting revelations about the relationship between Storm and Professor X that are never mentioned again. The fight between the X-Men and the soldiers at the beginning of the issue is enjoyable enough, and I like the twist that the soldiers explode into goo and cause the X-Men to question each other’s techniques. Also the visual of Rogue absorbing the one soldier’s powers is very cool looking. Opal’s rationale for dumping Bobby is understandable, but not necessarily groundbreaking; it’s hard to be affected by this scene knowing that Iceman and Opal were hardly a couple at this point anyway, and the breakup doesn’t exactly affect Bobby long term.

Lobdell gets to show off his character skills with Storm and the Professor; St. Croix is an unremarkable character with a somewhat compelling back story. But what is really interesting to see is a Professor X who has become even more driven to stop Magneto after seeing a driven Magneto who is ready to finally end the conflict between humans and mutants. Storm’s recollections about her childhood seem convenient to the plot, but they do offer some potentially explosive revelations if they ever turn out to be true. Unfortunately the subject is never touched upon again, and the plot with the power suit is dealt with in a back up strip in X-Men Unlimited. A pretty average issue all told.

B

Uncanny X-Men #304

Uncanny X-Men #304
Writing: Scott Lobdell
Art: John Romita Jr. 

What Went Down: Part 3 of Fatal Attraction: The Acolytes begin the issue by trying to kill their defacto leader Fabian Cortez. The reason for this is that Exodus has come down from Avalon to tell the Acolytes that Magneto is alive and Cortez tried to kill him. Amelia Voght is about to suffocate him, but Exodus spares Cortez’s life and teleports the team away. As he leaves, Exodus mentions that Cortez will be the victim of someone else’s legacy; this seems like a pretty obvious foreshadow of Cortez getting the Legacy Virus, but he never does.

Over at X-Men HQ, it’s the day of Illyana Rasputin’s funeral and Xavier is depressed that he couldn’t saver her. His girlfriend Lilandra beams a holographic message to him saying that she shares his pain and that it wasn’t his fault. Xavier wheels himself to his study and brings up a screen that says “The Magneto Protocols.”

Up on Avalon, Magneto gives a monologue about how he wishes that he could save every human, but now admits that the world is doomed. He flashes back to the death of his first daughter Anya. When humans attacked him and caused him to drop his daughter’s body, Magneto went crazy and killed them all.

Meanwhile Kitty Pryde is scouring the kitchen for something to eat. When Kitty questions the purpose of being a mutant, Storm flies her into the sky to cheer her up. Unfortunately they find Colossus burning all of his paintings as he grieves. Kitty tries to comfort him, but he is still emotionless.

Apparently there is a chapel on Xavier’s property, so Bishop and Banshee are setting up for the funeral there. Bishop doesn’t understand the purpose of a memorial service, and Banshee comments that he must come from a very horrible future indeed. Bishop drops an allusion that Banshee was said to lead the next generation—an obvious foreshadowing of the upcoming series, Generation X.

All of the X-Men, X-Factor, X-Force, and Excalibur attend the funeral, making this the only real part where all of the teams crossover. After the service, Colossus confronts Professor X and blames his dream for failing him and his sister. Before the discussion can continue, Magneto and the Acolytes show up. Using his powers, Magneto is able to prevent every hero from moving as he offers the X-teams salvation on his base Avalon.

Quicksilver brings up the massacre of innocent humans in X-Factor #92. To set an example, Magneto kills the Acolyte Senyaka, even though he claims that he would have sanctioned the attack if he had been available. Magneto then proceeds to bring Avalon down over New York and right above the mansion; Xavier notes that the base contains Shi’ar weaponry that Magneto took while he was headmaster.

The whole time Magneto has been talking, Bishop’s powers have been passively absorbing his magnetic energy. Bishop lets it go, staggering Magneto and destroying the chapel. Cyclops and the other energy-wielding mutants decide to charge up Bishop with as much energy as possible, while Rogue tries to absorb Magneto’s powers. Bishop attacks with all of his stored energy, backed up by the rest of the X-Men. As Magneto takes damage, his base tries to break up, since he is apparently holding it together by his will; Jean struggles to hold it up.

Colossus prevents Bishop from finishing Magneto and offers to join the Acolytes. Magneto accepts, much to the shock of everybody else. Xavier takes control of Magneto and uses his powers to push Avalon back into space. The result leaves him exhausted and hanging onto Magneto in space. Xavier begins to fall, but Archangel eventually catches him.

How It Was: Finally, the X-Teams actually crossover during the crossover. And for the most part, I think Lobdell makes this issue work pretty well. We are treated to some nice character moments from Professor X, Kitty, Colossus, and Bishop that explore each X-Man’s reaction to Illyana’s death. While there is a little bit of flowery narration, it still manages to fit the tone of the issue and doesn’t stand out too much. Unfortunately, with so many characters in one issue, a lot of them feel needlessly forced into the action; most characters have one line or fewer. Plus, with the inclusion of so many characters, it makes the absence of other characters readily apparent; for instance, how come Rachel Summers, Psylocke, and Moira MacTaggert don’t appear at all?

Although the funeral is important to the plot of this issue, the central focus is once again the appearance of Magneto. This is a very controversial take on the villain that tends to split fans. Many see Magneto as acting crazy in this issue by crashing a funeral, bringing his Acolytes with him, and killing one of them in front of everybody. It doesn’t lend much credibility to his followers that they don’t think twice after seeing Senyaka gutted. But I think what Lobdell and Nicieza are trying so hard to convey is Magneto’s frustration with the whole back and forth with the X-Men. For years he’s tried to conquer the world in an attempt to bring safety to mutants, but finally he’s fed up and realizes that he can’t save everyone. At the same time Cortez has betrayed him and he needs to make a statement of strength for all of those who do follow him. Why didn’t he use Cortez instead? Errr… well Cortez is needed for the Avengers/X-Men crossover Bloodties that takes place after Fatal Attractions.

The whole basis of Magneto’s character is that he believes he has to subvert humanity before they subvert mutants—by any means necessary, and this issue marks his realization that he can’t save all mutants (tying in quite well thematically to X-Force’s rejection of him in X-Force #25). As for Colossus’ decision to join Magneto, I think it has been set up very well for the last couple of months. Some people read Peter joining Magneto after seeing Senyaka murdered as stupid, but if you look at the dark place the character is in at this point, he really doesn’t have a lot to live for. He’s looking to lash out at the world, and he really doesn’t care about what happens to himself. So while many will argue with the directions certain characters take in this issue, I think that their actions are perfectly justified on the part of the writers.

On the other hand, I am less than impressed with the fight this issue. The Acolytes are wheeled out to give the impression of a potential battle royale, but then Magneto just shoves them back on Avalon. Even with all of his power, I find it hard to believe that Magneto can single handedly beat all four X-Teams by himself, and the fact that the heroes’ whole strategy relies on supercharging Bishop feels kind of gimmicky, especially when you take into consideration that Magneto is holding Avalon in the air while holding back the X-Men.

I think this issue does a great job with Magneto; people argue that the characterization isn’t true to Magneto, but what Lobdell set out to do was portray a Magneto on the brink, finally willing to begin his war on humanity after so many battles with the X-Men. The back and forth between Xavier and Magneto at the end of the issue shows that these are still the same characters, they are just more committed to their opposing philosophies than ever before. It may be a stretch for some readers, but you have to take into consideration that in the last Magneto story he was basically ready to retire, but he got pulled back into the conflict and it almost cost him his life. That’s enough to make anyone up the stakes. Plus the Magneto flashback sets up the fact that Magneto is both dangerously unstable and that he is tortured by the fact that he cannot control his fate and the fates of those he cares about. The end result is a more dangerous, more unpredictable Magneto, and that has to lead to nothing but good things for readers.

B+

X-Force #25

X-Force #25
Writing: Fabian Nicieza
Art: Greg Capullo

What Went Down: Part 2 of Fatal Attractions: A mysterious shadowed character is looking through files of various X-characters and mentions an interest in X-Force. It’s Magneto, in case you were wondering. At Camp Verde, home base of X-Force, a different shadowy figure holding a large gun is observing the team’s return from a mission. Feral smells an intruder, so Cannonball orders the team to break off into twos and search for him. Each group gets taken down in a non-lethal manner before the intruder is subdued by Cannonball. And surprise, surprise: the mysterious character is Cable, returning to the team for the first time since the X-Cutioner’s Song. In case you were wondering, Cable was off having his own adventures in the future in his solo title.

Most everybody is excited to see that Cable is still alive; Feral informs us that Cable’s scent is different, so she was not able to identify him earlier. On the other hand, Rictor and Sunspot are decidedly not happy to see Cable. That is until he informs them that they are both wrong about Cable being responsible for the deaths of their respective fathers; Stryfe killed Rictor’s father, and Gideon the External killed Sunpot’s dad. Cannonball and Cable share a hug over the burden of leadership.

While half of the team hangs outside, the other half fills Cable in on what has occurred in his absence. One new development is that X-Force has saved their brainwashed friends Rusty and Skids from the Mutant Liberation Front; however, the two mutants must be kept unconscious so that they don’t attack their friends. Cable also reveals his real name, Nathan Dayspring, and part of his history to the group as a sign of faith. Their conversation is interrupted by an intruder alert.

Outside, Exodus emerges and takes out three of the four X-Force members outside. The rest of the team arrives, but they are also defeated. Exodus requests the presence of the New Mutants on the Acolytes’ new spacestation base Avalon. Cannonball agrees as long as all of the New Mutants, plus Rusty and Skids, are allowed to come. While this initially appears to be a betrayal on his part, Cable reveals that Sam planted a tracking device so that the rest of the team could follow.

Up on Avalon, Exodus gives a tour, and it is revealed that part of the station is composed of Cable’s old ship Graymalkin, and from technology gleaned from his computer, the Professor. A mystery man in a purple robe appears. Since Exodus bows before him, it is safe to assume that it is Magneto. Magneto then proceeds to cure Rusty and Skids’ brainwashing, giving them back their freedom.

On the X-Force ship, Cable feels conflicted about Greymalkin being used, since it represents the only item Cable has left from his time. Magneto invites the rest of X-Force to join him, and the rest of the team lands on the station. Cable’s group has a fight with Exodus before teleporting to Sam’s team. Cable wants to blow up Avalon, but Rusty and Skids want to stay because they feel grateful to Magneto. Cannonball convinces Cable that everyone has a right to make their own decisions, just as they did when they left Xavier’s. Cable agrees with him, but then he teleports everybody back to the ship. He runs to the computers and extracts the Professor from them; happily, the Professor’s personality is more or less intact. Before Cable can arm the station’s self-destruct, Magneto finds him and they fight. The fight ends with Magneto disintegrating the parts of Cable’s body that are contaminated with the techno-organic virus. Cable teleports away, and Magneto talks with Exodus about how Cable is the true winner since he won the loyalty of X-Force.

How It Was: A nice step up from the previous issue of the crossover since Magneto actually appears in it. Actually, Nicieza has found a nice balance of series story threads versus crossover story threads with this one. Cable’s return is great to see, and it feels like a natural fit for this crossover issue since Cable’s disappearance occurred at the end of the last crossover. Also Magneto’s return doesn’t overshadow Cable’s reunion as Nicieza gives plenty of space to Cable as he tries to reconnect with his team and reveal some newly discovered facts about his past to X-Force and X-Men readers. Magneto’s plot actually ties in thematically to Cable’s return as this issue focuses on both characters vying for control over X-Force and the subtle similarities and differences between their respective philosophies. Instead of side stepping continuity, Niceza uses this opportunity to remind readers that Magneto used to be in charge of the New Mutants, and this is his first time seeing them since then. Cannonball especially gets some nice scenes where he gets to stand up to both leaders and show his progress as a character and leader. Unfortunately, Rusty and Skids deprogramming does get lost in all the action happening, and their whole purpose for being on Avalon rings a little close to nothing but plot convenience. After all, why would Cannonball bring two mutants brainwashed to kill him as back up in an unknown situation.

So from a character standpoint, this issue hits a home run. As for the action, well…most of it feels a little forced at times. The introduction of Exodus is rather lackluster—he’s just your traditional one-dimensional Acolyte who worships the ground Magneto walks on and can’t be bothered with a personality for himself. He beats up all of X-Force by himself, so he is definitely established as powerful, but his rationale for initially attacking the team seems rather forced. The scenes in the beginning foreshadowing Cable’s return are much better, even if the identity of Cable is rather obvious to just about every reader. As for the climactic battle between Cable and Magneto, it’s nicely drawn, but when somebody attacks Magneto with guns, is there any question about the outcome? Side note: if Magneto dissolves Cable’s limbs that are infected with the techno-organic virus, shouldn’t they be gone for good? I don’t know since I never read the next issue, but Cable does get better in time to appear in Excalibur #75, the final part of this crossover.

On the art front, this is Greg Capullo’s last issue. All told, it’s a pretty good issue to end on as part of a major crossover, and one that sold particularly well. Everything is big and bright as it should be, and as mentioned before, Cable vs. Magneto is pretty awesome looking for the three pages that it lasts. You could probably ignore the X-Factor issue and start reading the crossover from this issue with nothing lost. The reintroduction of Magneto succeeds at bringing back all of the complexity of emotion that the character is known for as well as demonstrates how fierce and unpredictable he can be.

B+

X-Factor #92

X-Factor #92
Writing: Scott Lobdell and J.M. De Matteis
Art: Joe Quesada

What Went Down: Part 1 of Fatal Attractions: This issue opens with a nurse being interviewed by members of X-Factor about the Acolytes’ attack at a hospice that she worked at. Basically the Acolytes slaughtered everybody just for being human. Shortly after completing the interview, the nurse’s heart stops beating; X-Factor leaves as doctors file into the room to save her.

Unbeknownst to X-Factor, the Acolyte Scanner is using her power of astral projection to monitor the team. She reports to Fabian Cortez, who is insistent that he will soon have X-Factor member Quicksilver. He also abuses the girl when she questions the necessity of attacking harmless dying humans.

The rest of X-Factor meets up in a secure location where the Acolyte Spoor has been captured. The team wants to make him pay for the murders he’s committed, but their liaison Val Cooper stops them. Spoor acts defiant until Quicksilver walks in, after which the villain acts like he is in the presence of a god, since Quicksilver is the son of Magneto. Val decides to take Quicksilver and Random with her in case the Acolytes attack Project Wideawake, assuming that Quicksilver will have the same effect on the other Acolytes. The rest of the team decides to follow in a stealth craft powered by Polaris’ magnetic powers.

Along the way to the base, X-Factor glimpses Exodus in the villain’s first appearance; this is little more than a cameo, and we won’t learn his true purpose until the next issue of the crossover. At the military base, armed guards draw weapons on Val and company, but Quicksilver steals all of their guns. Inside, Random and Quicksilver discover that Project Wideawake is the codename for a new Sentinel project. The rest of X-Factor arrives just in time to be angry with Val. Surprisingly, Pietro sides with the humans, saying that the Acolytes justify the humans’ fear and caution.

Before the debate can get very far, the Acolytes do attack, and a fight ensues. Highlights include Multiple Man being forced to kill the Acolyte Mellencamp by creating a double inside of the villain, and Wolfsbane rescuing Senator Kelly. Fabian Cortez tries to convince Quicksilver to join them, but he refuses. Amelia Voght teleports all of the Acolytes away, and it is revealed that Val was being mind controlled by some green gunk in her stomach, explaining why she brought Quicksilver into a trap. Unfortunately for her, X-Factor is still angry that she hid the Sentinels’ existence from them prior to being controlled.

How It Was: This issue marks the beginning of Fatal Attractions, a very odd crossover where the issues involved don’t make up parts of a story; they just share a common story theme or villain. Apparently this was in response to some fans complaining about how much crossovers like the X-Cutioner’s Song set them back money-wise. The idea is that every issue in the series can be enjoyed independently of each other while still telling a fraction of the story of Magneto’s resurrection and attempt at domination. Of course, this meant that some of the issues only loosely connected to the other ones. And since the crossover is made up of six issues priced at $3.50, most fans ended up spending more money for half as many issues as the previous crossover. Oh well, at least the covers are cardstock and each contains a cool hologram on them. Those holograms are really fun to look at.

As for the story, this issue has probably the loosest association to the rest of the crossover. All that happens is that Cortez has the Acolytes attack sick people at a hospice because he is a jerk, and then X-Factor fights the Acolytes because… well the only reason I can think of is so that the other X-teams don’t feel the necessity to fight them later, and they don’t. The dialogue is still quite good despite the absence of series visionary Peter David. The comedic tone and emotional beats of the heroes feel just like David might have written them. Unfortunately, the Acolytes don’t fair as well, when all of their members either act like homicidal maniacs or idiots too stupid to question the tactical advantage of fighting dying hospital patients.

Overall, this issue just doesn’t contribute that much to the overall narrative of the crossover. The only moments to really take away from it are the brief appearance by Exodus, which gets fleshed out in X-Force #25, and the fact that Cortez identifies Quicksilver as the son of Magneto, which comes into play in the Bloodties crossover that takes place right after Fatal Attractions. So we have a bunch of plot elements that get resolved in other books. Like I said it’s missable, but the writing and art make this an enjoyable issue nonetheless.

B-

X-Men #24

X-Men #24
Writing: Fabian Niceza
Art: Andy Kubert

What Went Down: We open on Rogue and Gambit finally getting around to sharing a date. They are trying to enjoy themselves in spite of all the tragedy surrounding Illyana’s death and Psylocke’s personal problems.

Outside the X-Mansion, Banshee returns after leaving in issue number four to go after Moira MacTaggert. Since Moira had to return for the X-Cutioner’s Song and the Legacy Virus, it seems that he must have given up after a while. The two make up, but not much more comes out of their relationship, since Banshee is going to be busy teaching Generation X in a couple of months.

Xavier and Beast are inside looking at the data from Illyana’s illness. Xavier apologizes for not including Beast in the study sooner, and Beast concludes that even he can’t solve the mystery of the cure to the Legacy Virus.

Jean picks up Cyclops at the airport. She is hesitant at first, but after they embrace, they both promise to face their problems together.

Psylocke and Revanche are in the woods sparring; both women find that they are too evenly matched. Wolverine appears and tells them to get over their hatred of each other.

Kitty Pryde comforts Jubilee as she cries in Illyana’s bed with her doll. Kitty suggests she keep the doll to remember the little girl by.

Back on their date, Gambit tries to get a kiss, but is once again shut down. To compensate, Rogue offers to reveal her real name, but Gambit stops her, saying that names don’t mean anything.

In the mansion, everyone welcomes Cyclops and Banshee. Cyclops reiterates what he learned from Sinister last issue. At the dock, Wolverine comforts Jubilee, the Psylocke twins share another moment of accusing each other of being imposters again, and Cyclops and Jean go to bed after reaffirming that they both need each other.

How It Was: Another quiet, contemplative issue. Niceza shows that he’s no slouch in the emotional department either, while still furthering, or at least paying lip service, to some ongoing storylines. Jubilee is responding to Illyana’s death, the Betsys are still at each other, and Sean and Moira begin their relationship anew after breezing over her breakdown in issue number four. The most important facts are those on the Legacy Virus since this is going to be the focus of the X-books after the upcoming crossovers. That being said, nothing new is really learned as everyone just reiterates what they’ve learned about the virus thus far.

The main purpose of this issue is to finally resolve the Cyclops/Psylocke relationship, show that he is definitely choosing Jean, and explore the Gambit/Rogue relationship some more. This offers some interesting polarities to highlight as one relationship is based on comfort and familiarity, while the other is based on hesitance, danger, and excitement. Rogue’s teasing of her real name is kind of a disappointment for long time fans, but seeing Gambit evolve from pure seduction to a place of comfort and understanding in a natural way is well worth it. Or is Gambit just afraid of revelations since he is hiding things from Rogue and the X-Men? Ooo, so many potential glimpses into the character.

This is a well done issue, but at the same time it doesn’t really stand out all that much. Still, everyone feels true to character as well as down to earth, so it succeeds as a nice prelude to the big bombastic Fatal Attractions crossover next month.

B

Uncanny X-Men #303

Uncanny X-Men #303
Writing: Scott Lobdell
Art: Richard Bennet

What Went Down: Jean Grey is looking to comfort Jubilee after the death of Illyana Rasputin. Jubilee retells her experiences in an attempt to appease Grey as well as try to understand her own feelings better.

In the flashback, Xavier and Moira struggle to cure Illyana while Jubilee plays with her. When Kitty Pryde shows up with fresh sheets, Jubilee shows signs of jealousy for the relationship the two girls share. In the present, Jean explains Illyana’s former life as a teenager to Jubilee, even though Iceman already explained this to her in X-Men #17. Although Illyana has no memories of being a teenager, Kitty has managed to stay in touch with her best friend all these years.

Back to the flashback, Jubilee comes to the Professor for a prognosis, but only discovers his frustration as he is running out of options. Jubilee goes back to Illyana’s room, and the three girls spend the afternoon getting to know each other.

As the Gold Team is returning from its mission last issue, Illyana’s symptoms flare up suddenly; she is about to die unless something is done. Xavier suggests using Shiar technology to freeze her until a cure can be found, but Kitty explains that Illyana wouldn’t want to live like that. While the adults talk, Jubilee puts the girl’s doll back in her arms and later reads to her before she passes away.

Jubilee then recounts the Gold Team’s reaction to the young girl’s death; Colossus completely shuts down emotionally. In the present, Jubilee finally breaks down and cries, and Jean comforts her.

How It Was: One of the very rare instances of a comic promising to be the best of the year and actually fulfilling that promise. Of course, the mandate is made a little easier by a year full of Upstarts stories, but this is still an exceptional comic.

Once again Lobdell demonstrates how relatable the X-Men can be by choosing Jubilee as the center of the story, as she is fairly unfamiliar with Illyana, yet nonetheless affected by her death. Because Illyana is an innocent little girl as opposed to a costumed combatant, the death really hits home on a level that pretty much anybody can appreciate, and the confusion Jubilee suffers at trying to understand the nature of this tragedy is brilliantly depicted. Also, having Jean Grey, the symbolic mother of the team, coming to console the girl works really well for this story.

There are really too many great character moments to explore; one standout moment would be Xavier’s breakdown in front of Jubilee. Even something as subtle as Iceman cutting off his own joke conveys the utmost sense of discomfort and tragedy. Plus the scene where Jubilee picks up Illyana’s doll is just perfect.

Minor pet peeves include the clunky exposition of Illyana’s history, but realistically it is necessary information for readers unfamiliar with the character, who hasn’t been an active super hero for a number of years now. Meanwhile guest artist Richard Bennet’s art is perfectly suited for this type of story. His characters are smooth and detailed—very closely resembling the style of the cartoon. The emotion displayed on characters’ faces is actually moving, yet there are some misfires—the first appearance of Kitty in this issue resembles the Joker a bit. Minor bits aside, the backgrounds are detailed and the characters are full of expression where it counts. The debate over whether to pull the plug works and manages to stay out of the realm of cliché. Despite the absurd looking helmet Xavier puts on the girl’s head, it still can’t take away from the tension of this issue.

This is easily one of the best character death issues ever. It contains gravity, it’s down to earth and accessible, and it actually manages to convey a sense of loss and make the reader feel something. Of course, like most great things in comics, it has recently been undone, leaving Illyana alive and well in the current issues of X-Men and New Mutants. However, recent events still can’t take away from how well this issue was done.

A