Writing: Joe Kelly
Art: Carlos Pacheco
What Went Down: We open on Iceman using an ice slide to bring Cecilia Reyes and Marrow back to the X-mansion. Cecilia is terrified by the height and speed, but Marrow goads Iceman into going faster. When they reach the mansion, they discover that not only has Bastion stolen everything in it, he has used nanotechnology to strip the building of the paint and carpet. Cecilia runs off, demoralized that she has nothing in her life.
As Cecilia cries to herself, she observes the X-Men bursting
through the ceiling because Cyclops has a bomb implanted in him that is going
to go off soon. Of course, all of their
medical equipment is gone, so they all start to despair. Storm is shocked to see Marrow in the mansion.
At the same time a giant is carrying a lawyer down the road to the
mansion. Seeing how little hope the
X-Men have, Cecilia takes charge of the situation. After getting a telepathic explanation from
Jean, she assigns everyone tasks to do to help Cyclops.
Storm has to get boiling water. While she generates some rain, Marrow appears
to taunt Storm for trying to kill her.
Storm tells her she might want to go back to the sewers. Cannonball manages to steal some medical
supplies, but there’s no scalpel, so Wolverine’s claws have to be used to
operate on Scott. As the surgery/bomb
removal begins, the doorbell rings.
Storm finds the Juggernaut, wearing a suit and tie, outside with his
lawyer. It turns out that with Xavier
missing, the school and its assets fall to him as Charles’ stepbrother. Storm slams the door on him and uses her
powers to wash out the roads. Marrow
flirts a little with Cannonball while Cecilia continues the operation.
Juggernaut bursts through the door, but he is surprised to
see the mansion empty. He changes into
his Juggernaut armor, but the remaining X-Men return just in time to confront
him. Juggernaut taunts the team when he
sees that Gambit and Bishop are missing, causing Rogue to lash out. Maggott decides to take on Juggernaut, but he
is easily subdued. Seeing how pathetic
of a state the team is in, Juggernaut decides to leave and come back.
Beast and Joseph show up to help get rid of the bomb. Wolverine lashes out at Trish Tilby, blaming
her story on the Legacy Virus for creating the hysteria that has led to Operation
Zero Tolerance and Cyclops’ situation.
It turns out that this bomb doesn’t explode; it expands and
fills a three-mile radius with goo that suffocates and preserves anything in
its path. Marrow gives Cecilia some
bones to pry the bomb out and Rogue throws the bomb to one of Maggott’s slugs,
who promptly eats it. Cyclops thanks
Cecilia for helping him.
Later, everyone leaves Cyclops’ room. Jean explains to Scott that she is worried
about how fractured the team is, along with the addition of three
strangers. We end on Marrow carving some
menacing threats on the door to the basement.
How It Was: Two double-sized issues in one
month! Brilliant! I’m just going to go ahead and proclaim that
I really love Joe Kelly’s run, especially this issue. He just has such a great handle on the
characters, similar to Lobdell, but he also manages to infuse his characters
with a healthy amount of humor and agency.
Even double-sized, this issue has a lot of characters in it, and Kelly
balances them all incredibly well, giving each one a moment or two.
Most important of all is that this is the issue where
Cecilia demonstrates that she has value beyond whining and absorbing
damage. While her personality could be
hard to take in previous issues, coming off as almost selfish, one page into
Scott’s operation is all Kelly needs to demonstrate that Cecilia’s abrasive
personality is a necessary, and valuable, quality in her field of work. She takes charge of veteran X-Men in a
convincing way, prioritizing her patient over all else. Marrow also gets some great scenes. Her playfulness leaves her motivations
ambiguous; the reader isn’t quite sure whether Marrow wants to be a hero or
stab them all in their sleep. The
tension between Marrow and Storm is well portrayed, and well-earned, setting up
a lot of Kelly’s future issue.
Even Maggott is finally more fleshed out. Yes, his personality has gotten a complete
overhaul from his appearances in Uncanny, but in my opinion it’s for the
best. Before Maggott was so generic and
uninteresting; now he may be a little goofier and full of himself, but it’s
entertaining if you go with it. And
really, who wants to take a hero with giant mutant slugs seriously?
As much as the issue is about the new characters, it’s also about
how utterly defeated the old ones are.
Longtime readers have seen the mansion destroyed numerous times by this
point in continuity, but having it completely stripped bare is a new and even
more unsettling visual. Yes there is no
real reason for it, other than Bastion going out of his way to be a tool, but
it presents an interesting obstacle for the mutants to overcome, physically and
emotionally.
I even really like the stuff with the Juggernaut. Yes, it’s absurd that Xavier hasn’t willed
his assets to any of his students, especially before voluntarily leaving for
the government, but this gives us more conflict and tension for the main
characters. Unfortunately as I always
say—too bad the stuff with the Juggernaut never really goes anywhere.
Some minor hang-ups: it is a little convenient that Maggott’s
slug could consume a bomb capable of coating three miles of area. Yes I know Maggott needs something to
contribute to his intro, but it is a little forced. Also, Jubilee, Archangel, and Psylocke have
disappeared. I realize that Kelly
already has an overwhelming cast, but it feels strange to have these characters
missing, even if Steve Seagle comes up with an excuse for Betsy and Warren
later. It’s just odd that Jubilee would
leave before this was resolved, but I understand she would’ve had nothing to
contribute to the story.
In the span of this issue, Kelly delivers a fun one-and-done
story while also setting up a number of plot threads, most of which will go unfulfilled. He clearly has a handle on where he wants to
go, and all the new characters have unique and compelling voices. My only regret is that many of these threads
go unfurthered and the new characters don’t stay around long enough. This is the most substantial roster shake up
since 1991, and it’s all for the best.
The title has energy and direction that it hasn’t had since Onslaught.
A