Thursday, March 15, 2012

Uncanny X-Men #347

Uncanny X-Men #347
Writing: Scott Lobdell
Art: Joe Madureira

What Went Down:  On a weird alien planet, Gambit gets a rude surprise by being whacked in the face with a giant lizard tail.  He is being attacked by Grovel—a giant shape-shifting lizard thing, and his partner Spat—a woman who is cursed to age in reverse after taking a mystic blast for Gambit.  Both of them are bounty hunters, and both have been assigned to bring Gambit in for his mysterious crimes that are yet to be revealed.  Gambit then helpfully recaps the previous events in this story because it’s been two friggin’ months since it progressed at all. 

In a weird sequence that looks like they’re coming through a portal, Beast and Trish Tilby crash land on the planet in a broken section of the ship.  They wonder where the X-Men are, but are interrupted by Beast feeling sick and slumping over.

In the sewers of Manhattan, Marrow is trying not to cry while she sits with the injured Calisto, who is bandaged with leaves for some odd reason.  Calisto tells Sarah that she needs more in her life than rage, and asks her to remember when she was younger and had hope; she recalls seeing Angel stuck to a wall during the Morlock Massacre.  Calisto asks Marrow to help the X-Men because they will be needed to save all mutants.  Marrow agrees, but she can’t promise she won’t kill anyone.

Back on the alien planet, Joseph and Rogue wake up next to each other.  Rogue tries to fly up in the air, but hits something solid and assumes it is a forcefield.  Joseph uses his powers and reveals that the alien world is an illusion and that they are really inside a cave.  Joseph discovers the cause of these illusions—a mutant named Landscape with the power to make people see landscapes…no really.

Gambit laughs at his captors and asks if the world was Landscape’s work.  Gambit tries to charm Spat, but she has been previously hurt by him, and brings up that Gambit’s mistakes have cost others their lives.

In South Carolina, at the town where Rogue met Joseph, the mutant named Maggott is continuing his search for Joseph.  Some rednecks confront him because they don’t appreciate strangers asking about mutants.  Maggott’s pet slugs eat one of the bully’s trucks, and this scares them all away.

At the cave, Rogue is carrying Landscape, and he won’t stop whining.  They run into Gambit and his captors.  Just as Gambit frees himself, the heroes are confronted by Nanny—the former robot servant of Magneto, and an army of cybernetically augmented animals—including bats, gorillas, and what looks like maybe an octopus?

How It Was:  Well after two months away, we return to the X-Men lost in space.  This story is obviously setting up the X-Men learning about Gambit’s mystery relationship with Mr. Sinister which has been hinted at for about two or three years now.  That’s a perfectly acceptable direction to go.  Unfortunately we can’t get to that right away.  Instead we have to deal with a bunch of boring, and frankly out of place, characters from Gambit’s history, as well as the “exciting” return of Nanny.  Plus the X-Men are separated, so we know it’s going to be a couple of issues before they can reunite and further the plot some more. 

I can’t say enough how uninterested I am in Spat, Grovel, and Landscape.  It seems like a major misstep to take a story that is supposed to emphasize Gambit’s tragic and very serious past, and create these absurd, cartoony characters to put in this story leading up to it.  I have no idea what a little girl with a spear and a weird lizard thing are doing in this story.  And while we’re on it, Grovel looks nothing like the reflection of the zebra thing that Madureira drew in the water last issue.  It’s obvious that this story has been thrown together rather quickly.

That’s about it.  There’s no real characterization other than for Gambit, which is kind of interesting.  I like how he goes back and forth between crippling guilt and wanting to forgive himself, between putting his past behind him and facing consequences for his actions.  It’s a really good arc for a tortured character like Gambit, but of course this is also less effective since most of this soul searching is taking place with Spat and Grovel in the background.  Maggott’s also still wandering around, which would be interesting if it went anywhere, but it doesn’t; Maggott doesn’t really get interesting until Joe Kelly starts to write him, so right now he’s still just a generic mystery figure.  Outside of that, nothing’s really going on, and the two-issue wait definitely hasn’t helped the pace.  Even the illusion of the world they’re on, which the narration describes as very alien, looks like a normal jungle that might be the setting for any super hero story.  I am quite ready for these X-Men to get out of those costumes and back to some actual X-Men stories.

D+

Uncanny X-Men #346

Uncanny X-Men #346
Writing: Scott Lobdell
Art: Joe Madureira

What Went Down: J. Jonah Jameson starts this story mid-rant about how the staff of the Bugle needs to work harder at uncovering the shady government dealings involved with Bastion and Operation Zero Tolerance.  Due to the lack of evidence presented on the government’s part, and the disappearance of reporter Nick Bandouveris in Uncanny #339, Jameson is set on nailing Bastion. 

The book jumps to Peter Parker, aka the Amazing Spider-Man, climbing a wall and worrying about whether the government will ever decide to hunt him down.  He happens upon the car of Henry Peter Gyrich, snaps some photos of the government official, and decides to follow him.  A shockwave destroys the road, and as Gyrich is pulled from his car, his bodyguards encounter Marrow and Calisto of the Morlocks.

In an interlude that contains an actual X-Man, Gambit is seen drinking from a pond and wondering aloud what happened to the rest of the X-Men after their spaceship crashed.  In the water’s reflection, Gambit sees what looks like a giant zebra staring back at him.

Back at the Bugle, Jameson is trying to get an official to comment on how Bastion rose to such a high position so quickly.  Bastion enters the office, offering Jameson a disk with the identities and operations of the X-Men on it, saying it will prove the necessity of his cause. 

Meanwhile, Calisto and Marrow are attacking Gyrich in response to OZT, and Spider-Man jumps in to save him.  Spider-Man stops Marrow from murdering Gyrich.  At the same time, Gyrich’s bodyguards transform into Prime Sentinels and shoot at Spidey and Marrow.  It’s briefly mentioned that these were the same guards assigned to Graydon Creed, but don’t worry because nothing ever comes of this.  Calisto jumps in between them, injuring herself in the process.  Over at the Bugle, Bastion continues to tempt Jameson with the story of a lifetime in exchange for backing off on OZT.

Spider-Man fights the Sentinels, all the time trying to make Marrow see why killing doesn’t solve anything.  The two are rescued by Gyrich and some policemen who shoot the Sentinels until they are subdued.  Marrow tries to kill Gyrich again, and Spidey stops her…again. Jameson burns up Bastion’s disk and tells him that he will be exposed.  Spidey tells Marrow to figure out what she has before she loses it all, and then lets her escape with the injured Calisto.  Gyrich tries to stop them, but Spidey tells him that Marrow learned something and deserves a second chance.

How It Was:  If you thought Flashback Month was weird, here we have an X-Men issue with no X-Men, starring Spider-Man and J. Jonah Jameson.  It’s such an odd choice since the regular cast of Uncanny is in space away from the events of the crossover, not to mention this is a Spider-Man story in an X-Men book.  It’s obvious that Lobdell is trying to wrap up the Jameson subplot that he started during the Graydon Creed election.  You know, the one he built up for a couple of issues before editorial decided to kill Creed off in an issue of X-Factor, leaving absolutely no payoff for all the X-Men issues spent focusing on it.  On top of that, Lobdell has the unenviable task of beginning to turn the character of Marrow, an unremorseful murderer, into a potential X-Man.

Despite the randomness of this issue, it has some strengths.  Seeing Madureira draw Spider-Man is a pleasure in it of itself; the character seems almost created for his cartoony kinetic art style.  Some of the interactions with Marrow and Spider-Man are really well-handled.  There’s a great reverse of expectations where Spider-Man pours his heart out about the tragedy that inspired him to become a hero, trying to reach her, and Marrow, whose life has been a thousand times more difficult than anything Parker has lived through, acts completely jaded and unsympathetic.  Having Marrow as a world-weary cynic is a neat angle, and one that is taken advantage of in her initial appearances as a reformed hero, but unfortunately dropped soon after. 

As for the rest, it’s not particularly gripping.  I’m still not really sure what Gyrich’s role is in OZT, what Calisto’s goal was (Marrow’s was obviously to kill some humans), or how the two mutants destroyed an entire street.  It’s disappointing to see the Sentinels dropped with gunfire after previously taking out half the X-Men.  I do like the idea that Gyrich’s bodyguards were the one’s guarding Creed when he died, but nothing ever comes of this, so it’s best to just ignore it.  And as bad as Calisto’s wounds are made out to be, she spends a lot of issues lying in a sewer without dying, so they can’t be too bad.

Jameson takes up the other half of this issue, and while I enjoy the idea of his arc, its execution comes down to nothing but a ton of dialogue.  I really like that in spite of the government finally cracking down on vigilantes (Jameson’s dream) he still takes the time to realize that the way in which it is being done is unconstitutional. It would probably ring a little truer if Jameson hadn’t lied about or tried to hunt down Spider-Man so many times.  As for the end, Jameson already told Bastion off in X-Men #57, so seeing him do it again isn’t a very satisfying conclusion to his storyline.

While it’s normal for characters to guest star in other heroes’ books, it’s just so strange to see one take over another book entirely, especially during a crossover that should be focusing on the eponymous heroes.  This actually has some moments that are going to be important down the line regarding Marrow, but a lot of this feels forced, unnecessary, and out of nowhere.  There is a lot of preaching going on here by both Jameson and Spider-Man in this issue, and a lot of it just feels redundant.

B-