Uncanny X-Men #365

Uncanny X-Men #365

Writer: Steve Seagle

Art: Chris Bachalo

What Went Down:  It’s Christmas Eve in Salem Center when Colossus is awakened by a mysterious voice leading him to the attic.  The voice tells Peter to “remember” after doing some crazy things with his perceptions.  Peter immediately goes to Storm, who brushes it off as a bad dream.  Peter thinks the voice has something to do with his latest drawing, but his canvas has mysteriously vanished.

Peter starts to recreate his drawing, but notices a light outside.  Wolverine, Gambit, and Alpha Flight’s Puck are in a cabin enjoying a fire.  Colossus returns to his room and finds his drawing returned with writing on it telling the story of an ice princess who lost her face.  Peter starts a new drawing, but is again interrupted by a noise downstairs.  It turns out that Nightcrawler and Kitty have obtained a tree to decorate for the team. 

After excusing himself, Peter finds Xavier in his study contemplating photos of his students that have passed away over the years.  The two heroes talk about ghosts and spirits, until Peter takes his leave.  Peter begins yet another drawing, believing he is being compelled by the spirit.  It again visits him, leading him again to the attic.

Peter finds a teleportation ring and meets the spirit of his dead sister Illyana.  She explains that she left the portal there before she died, and she needs someone alive to do something for her, but she cannot say it out loud.  After talking, Peter realizes that he has left his picture of Illyana packed away.  After unpacking it, his sister is able to move on.  Peter makes one more sketch before falling asleep.

In the morning it is revealed that Marrow was the one writing on Peter’s pictures; she frames one of them in bones as a thank you for the picture he gave her in X-Men #81. 

How It Was:  Seagle takes a stab at a Dickensian Christmas tale in the Marvel Universe for a post crossover downtime issue.  While this issue is somewhat of a nightmare for continuity enthusiasts, it does capture the somber tone perfectly without becoming too grim and broody.  Colossus is definitely a character who has faded to the background up to this point, so it’s great to see him get some time in the spotlight.  Although he had plenty of time to reflect on his sister’s life in Excalibur, X-Men fans never got a chance to see Peter really process his sister’s death; he just went off to Avalon and then came back one day.  This issue serves as a nice bookend to bridge his previous affiliation with the X-Men up to the here and now.

I also like that it is the members of the Claremont/Byrne era, back from such a long absence, who are again in charge of pulling the “modern” X-Men out of the doldrums of holiday depression.  Even though they don’t have any subplots of their own going on, it’s nice to see Kitty and Kurt serving a consistent function on the team.  The scene with Xavier is also a nice touch, tying well into the themes and resolution of the story.  It also reestablishes Xavier’s sentimentality after being away from the books for two years.

While the tone of Peter’s confused journey is spot on, there are still some odd choices for the issue.  Puck makes a baffling cameo for no purpose whatsoever.  Also the climax of the story is a little strange if you look at it literally.  Illyana can’t “move on” unless Peter figures out her vague riddle for her?  Unfortunately she cheats by saying “get the picture,” robbing Colossus of the personal victory of being able to help his sister on his own.  And of course with Illyana recently resurrected, I don’t know what that means for this story continuity wise.

I’m also not sure how I feel about Marrow’s turn as sneaky secret Santa.  It feels like a bit of character whiplash; I get that Peter’s efforts last issue were very selfless and well-intentioned, but Marrow’s personality is seemingly changed overnight in one issue.  She’s gone from the new Wolverine to the new Jubilee: smiling, friendly, and excited about Christmas.  To me Marrow should be reluctant to celebrate Christmas, but eventually discover a personal meaning in it for her.  You could argue she does do this, just all off panel.  It is after all Peter’s story.

It’s not the best sentimental issue, but it’s far from the worst either.  Despite the weird mechanics and out of place fairy tale shoehorned in, the dialogue and art make this a relatively enjoyable read.  It’s probably not going to the top of anyone’s reading stack, but it does manage to feel like genuine X-Men Christmas, with a few extraneous parts tacked on.  While it’s odd to see Illyana pop up again, it’s nice to see Peter get some closure sixty-some issues after her death in the X-Men titles.

For X-Men Fans