Showing posts with label Shadow King. Show all posts
Showing posts with label Shadow King. Show all posts

Thursday, July 26, 2012

X-Men #78

X-Men #78
Writing: Joe Kelly
Art: German Garcia

What Went Down: In New York, people are going insane as the massive psionic event takes place.  Shadow King now has the power to manipulate any mind he wants, and is doing so to create chaos and destruction.  Shadow King explains to the dying Psylocke that he was defeated way back Uncanny #280, but the rise of Onslaught gave him the chance to rise again without Xavier’s noticing.  After tricking Storm into bringing Psylocke, and tricking Psylocke into giving him power, he is prepared to rule the world.  Psylocke’s astral form shatters as Shadow King disappears. 

In another dreamscape, Marrow’s bones return, causing her immense pain.  Shadow King appears in his normal form, offering the three new recruits their hearts’ desires.  Cecilia can be a doctor, Maggott can be a hero who can control his powers, and Marrow can be normal. As this is going on, Psylocke reappears in her shadowy Crimson Dawn form; not even she understands how she survived.  After finding Ainet, Betsy wraps her in the same shadows; apparently these shadows can hide them from the Shadow King. 

As Shadow King messes with the minds of the United Nations, Psylocke and Ainet rescue Storm from her nightmare.  This involves Ainet bolstering Storm’s confidence so she doesn’t blame herself for what’s happened.  Psylocke has also come up with a plan to stop Shadow King.

Later, Psylocke appears to Shadow King.  Shadow King is amused that Betsy is still alive, and offers to make her his queen.  With the villain distracted, Storm and Ainet rescue the new X-Men from the influence they were under.  Marrow wanders off, and saves Cannonball by killing a violent illusion of his father. 

Psylocke sends the other X-Men away as Shadow King reaches out to every mind in the world.  While Shadow King overextends himself, Psylocke is able to attack his “nexus point,” an area that all telepaths must guard because it defines psionic essence.  Psylocke is able to contain the Shadow King, but he warns that if she ever uses her telepathy again, she will release him from this prison. 

Back in the village, the X-Men work to help the dehydrated villagers.  Cannonball thanks Marrow for saving him, and internally she reflects happiness that Sam likes her.  Psylocke explains to Storm that she has lost the use of her telepathy, and Storm reassures her that she will always be part of the X-Men. 

How it Was:  This is a little disappointing after last issue’s set up.  Yes I know I had problems with the set up of the conflict, but the conflict itself is pretty solid—Shadow King has control everyone’s mind and nobody can stop him.  It even works pretty well as an X-Men story since telepathy has pretty much been relegated to the X-Universe.  However problems abound in the fact that the X-Men are supposed to be fighting the Shadow King, and Kelly hasn’t found any creative ways for the team to combat a disembodied psychic entity.  None of the X-Men have anything to do, aside from Psylocke.  Theoretically Storm should have something to do with this story because it’s dealing with her back story, her home, and her main villain, but no; Psylocke does everything, and it’s pretty unsatisfying.

Kelly does get to have some fun here, mostly in the scenes with the villain driving ordinary citizens insane.  These scenes are pretty absurd; it’s more goofy than unsettling, but it adequately sets up the stakes.  It’s also nice to see the recruits coming together a little; I like how Cecilia comes to Marrow’s defense, even though they still “hate” each other.  And I like how Marrow comes to Cannonball’s aid, even if the specifics of how she does it are a little off.  Seeing these bonds just starting to form makes it all the more sad that the direction of the books is going to shift after another issue. 

As for Psylocke herself, well…this is probably the best Psylocke issue I’ve read on this blog, but that really isn’t saying a lot.  The shadowy effect for her does look really cool against the astral plane background, but once again we’re going back to the well of the mysterious Crimson Dawn fixing everything, so I can’t say I’m really interested.  As for her big sacrifice at the end, I can’t say I really care.  Psylocke’s never been a favorite character, and it’s clear she’s only here because the plot needs a teleporter and a telepath.  And while her guilt for causing this big event is nice to see, the end just doesn’t feel very emotional or satisfying.  Maybe it would’ve been more effective if Betsy had been in more than four issues since the Legion Quest story.

It’s too bad this story was so anticlimactic because the art is great, and in theory a lot of the characters should have some interesting reactions to being in Africa.  Instead we get an okay Psylocke story that ends with her finding the Shadow King’s magic defeat button at the end.  This has a lot of holes in it, but at least it doesn’t overstay its welcome like most events today.

C+

X-Men #77

X-Men #77
Writing: Joe Kelly
Art: German Garcia

What Went Down:  We open on a quick flashforward of Storm buried alive with the corpses of her teammates.  That’s a solid attention grabber.  The book then flashes back to Storm explaining the set up to the story.  A village elder named Ainet helped Storm in her past escape her life of thievery and develop her powers to help people.  She’s also a village priestess with magic powers, hence the talking sand statue from last issue.  Storm insists that this is her problem, but the other X-Men decide they want to help her.

Psylocke shows up randomly, along with her recently acquired plot convenient teleportation powers; Marrow also gets pulled along by Wolverine.  Psylocke allows the X-Men to travel to Africa.  When they come out the other side of the portal, Psylocke and Wolverine have been separated from the others, and they are being attacked by tribesman made out of sand with web patterns on their bodies.  Wolverine vanishes in the middle of the fight.

The rest of the X-Men discover Storm’s village.  Cannonball gets sucked in the ground, while the rest find that the villagers are all in catatonic trances.  Ainet appears, but she is under the influence of Anansi, the spider/trickster god. 

Meanwhile, Cannonball has found himself in a mine from his childhood in Kentucky.  Sam also finds the zombified corpse of his father waiting to kill him.  Back in the real world, Storm and the new recruits face Anansi.  Anansi knocks Maggott, Cecilia, and marrow into comas, causing Storm to attack him.  In another dream world, the group is shocked to find Marrow without any bones coming out of her.  Anansi appears to offer them their desires; he also shows that Wolverine has been devolved into a dog.

Psylocke catches up with Storm and attacks Anansi.  She tells Storm that Anansi is a high level telepath, and he is using his powers to control Ainet, and in turn the sand that she controls.  Anansi taunts Psylocke for her nature as second stringer and a haunted, broken character.  Betsy takes Storm to the astral plane to do battle with Anansi.  As Psylocke and Anansi battle, Ainet warns Storm that Anansi is not what he seems.  Storm starts to realize the plan and warn Psylocke, but Anansi banishes Storm as well.  Taunting Psylocke for her continual failures, Psylocke loses it and lashes out. 

At the last moment, Anansi disappears and is replaced by a cage.  For some reason, this act sets off a huge psychic backlash that destroys Psylocke’s astral form.  We are also told through exposition that the feedback of this chain reaction is unlike any other ever experienced, and it affects telepaths and intuitives all across the world.  The final page reveals that Anansi is actually the Shadow King, and this has all been part of his master plan. 

How It Was:  This is part one of an “event” called Psi-War that is meant to shake the foundations of the X-Men.  Right away I like it a heck of a lot more than most modern events because it’s only two issues long.  So it doesn’t drag out and it goes at a pretty decent pace.  Plus it’s got a relatively small cast, so it doesn’t feel too crowded.

That said, the mechanics of this story are a little wonky.  I think it’s pretty ambitious to create an event that effectively dampens telepaths.  After all when you think about it, telepaths are super powerful and can pretty much take out any hero or villain by thinking at them.  The problem comes in that I can’t really tell you how Shadow King brings about this psychic event that leaves him the uncontested ruler of the astral plane; it just sort of happens.  There is some vague explaining about Shadow King arranging synapses to focus and amplify power, but really the plot doesn’t make sense.  Shadow King gets Psylocke to stab something, and all psychics lose their powers while Shadow King can now control everyone’s mind.

Even more strange, Psylocke shows up for this story out of nowhere, and unlike Archangel, nobody is accusing her of ignoring the team and abandoning her responsibilities.  She just shows up like nothing is wrong and uses her plot-convenient powers to forward the story.  What’s really strange is that Shadow King’s plan has focused on Storm for the last couple of issues as the package has traveled to the mansion.  All of a sudden the plot shifts to focus on Psylocke, which couldn’t have been the initial plan since Psylocke isn’t even around that much.  This story has been promoted as a Storm story, but it’s really a Psylocke story that comes out of nowhere.  It just doesn’t seem like the plan makes a lot of sense.

All right, let’s push the plot nitpicking aside.  This book has some great visuals; the design for Anansi is superb, as is the scene with Storm buried alive.  And while it’s clear that nobody but Storm and Psylocke has a purpose in this story, there are one or two nice moments for the other characters, like Marrow’s reaction to life without her bones. 

This is a great idea for how to use continuity; having stories affect the Marvel Universe as a whole, without reader understanding being dependent on knowledge of the set up stories.  And while I like a lot of the visuals here, you can’t escape the fact that this is a Storm story that Psylocke has been shoe horned into, with absolutely no purpose for the rest of the X-Men.  It’s nice to see more classic villains wheeled out, but it’s just really odd to see so much emphasis on Psylocke after she’s been gone or in the background for so long.  

B-

Wednesday, October 5, 2011

X-Men #61

X-Men #61
Writing: Scott Lobdell
Art: Cedric Nocon

What Went Down: Archangel starts off the issue pounding on the door of his penthouse because Psylocke is inside a battling a group of undercloaks-the magic shadow ninjas from back in Uncanny #329. Unable to enter (I guess he forgot his keys?), Warren runs up the stairs to the roof, flies around, and busts through a window to find Betsy calmly sitting by herself. When Warren asks what is going on, Gomurr the Ancient shows up and hints at the cost of resurrecting Psylocke with the Crimson Dawn. This is all set up for a Crimson Dawn mini-series for the couple to star in, so don’t worry too much about it.

Back at the museum, Storm is trying to protect Karima, the orphan who was raised a thief by Storm’s mentor and is presently taped to a pillar. Storm confronts the Shadow King/Jamil and tries to stop him with a blizzard. Candra tries to get to the gem, but the Juggernaut appears, attacking her and Storm. Storm frees Karima and wonders if the appearances of the Shadow King and Juggernaut are somehow tied to Jamil’s powers. Candra and Storm get into a hand-to-hand fight, with Ororo throwing Candra in some rubble. While Storm tries to figure out what is happening, Cable appears and uses the gem to shoot a red ray at Candra. Storm figures out the cause of the manifestations, flies Karima out of the museum, and tells the girl that she has to stop this.

Elsewhere in the city, the X-Men are tracking Storm to help her. Jean uses her powers to hide their appearance from civilians, which causes a debate among the members. Jean turns a corner and everyone disappears, both X-Man and civilian. After three panels, everything returns to normal, with Wolverine asking Jean if there is anything wrong.

Back in the museum, Candra bursts out of the rubble and asks where Jamil has gone. Storm explains that Jamil never existed because Karima is actually a mutant whose power involves pulling desires from people’s minds and making them real; Jamil was actually a desire of Karima’s given form to keep her from being lonely. Candra’s own desire to get the gem was then projected onto Jamil by Karima. Storm throws Candra the gem, but at the last second Cyclops shows up and blasts it, killing Candra. The X-Men comment about how they are always there for each other, and Storm decides that she is going to take Karima home. In an epilogue in Hong Kong, Sebastian Shaw is revealed to be not dead. He makes a toast to his son Shinobi, and then says some cryptic mutterings about his next huge plan.

How It Was: Errr…I hate to be so negative all the time, but this really makes no sense and has no purpose. The cover teases an awesome fight with the Juggernaut, but what we get is a series of illusions that are only around for a page or two each. Candra’s “heart” has gone from her weakness to a typical ultimate power macguffin, and the resolution is super anti-climactic since Storm could have just destroyed the thing last issue and been done with all of it.

Now let’s talk about the M. Night Shyamalan style twist of Jamil not existing. Originally we’re told that Jamil is a mutant who can create illusions. Fair enough. Then we’re told that he might be possessed by the Shadow King, and the gem can enhance his powers. Still good. After that, a bunch of illusions from Storm’s history pop up and attack her. She somehow reasons that it is impossible for Jamil to be able to know these aspects of her history, so instead she figures that it makes more sense that Karima has the power to unconsciously read thoughts and desires from people and make them tangible. Also, Jamil isn’t real, as he was really an embodiment of Karima’s unconscious desire to not be alone. My question is, how is this the more likely scenario than a mutant who can create illusions screwing with a person with aspects of their past? Especially with an overpowered magic gem, shouldn’t this be well within the realm of possibilities in the X-Men’s lives?

Still, the twist might have been enough if we actually cared about any of the characters at all. Even Candra has little to no motivation; why did she put her heart in a jewel in the first place and what is she going to do if she gets it back under her control? On top of that, at the end Storm decides it is best to return Karima to her life as a struggling orphan thief in Africa by herself, as opposed to say taking her back to their mansion so she can learn how to use her insanely powerful mutant abilities. So there you have it, even Storm doesn’t care enough about Karima as a character to do the right thing by her.

As for the rest of the plotlines, the two-page spread of Psylocke fighting ghost ninjas looks pretty cool, but the stuff with the Crimson Dawn still isn’t interesting at all. And in what I assume is yet another forgotten plotline to add to the list, Jean Grey sees everybody in New York disappear for no reason. Sebastian Shaw is back, not that we really missed him all that much. While he is a much better character than his son Shinobi, Sebastian doesn’t really get any good plots in the modern age of comics that I can think of off the top of my head. But more on that in the coming issues of X-Men.

This story was probably the biggest misfire yet. I like the idea of putting the spotlight on Storm, but a boring villain, uninteresting supporting characters, and unnecessary plot twists make this one pretty forgettable. This is the type of comic that shows how diehard an X-fan is if they owned it and stuck with the series after reading it.

F

X-Men #60

X-Men #60
Writing: Scott Lobdell and Ralph Macchio
Art: Cedric Nocon

What Went Down: Storm is enjoying some solitude in her attic/garden when Cyclops ambushes and attacks her. The External Candra has possessed Cyclops for some reason, but she lets him go after Storm drenches him. Storm explains to Cyclops that Candra is after the jewel from Storm’s costume.

In a flashback we see the young thief Storm breaking into a mansion to steal the gem. After young Ororo removed the jewel, the case exploded, killing all the guards and leveling the house. Storm’s master Achmed El-Gibar kept the jewel for her until she was older, and it turns out that the gem is really Candra’s heart, the only weakness the External has.

In Washington, Jean consoles Cannonball for failing to save Graydon Creed. Meanwhile Storm meets Candra in the Metropolitan Museum’s Egyptian collection. Storm is about to destroy the jewel so Candra cannot use its power, but Candra reveals that she has kidnapped a girl named Karima that Storm met way back in X-Men Unlimited #7, who was also trained as a thief by Achmed. Additionally, Candra has employed Karima’s friend Jamil, who can cast illusions. Jamil makes Ororo see the Black Panther, who kisses her. Storm breaks free and a fight erupts. The gem in Storm’s hand disappears because Jamil created an illusion to make her think she was still holding it. The issue ends with the Shadow King appearing and announcing that he has been in control of Jamil all along and now has the power of the Heart of Candra.

How It Was: The stress of writing two books continues to take its toll on Lobdell, as he scrapes the bottom of the X-bucket for this story. With clearly no direction for the X-Men books at this point, Lobdell was obviously getting desperate if he was using X-Men Unlimited stories for his inspiration. Putting the spotlight on Storm for two issues isn’t a bad idea by any stretch of the mind; after all, she hasn’t really had any development of her own since Forge left her. It’s just that this story is a long series of unnecessary retcons combined with an enmity between two characters that has never been mentioned before or since.

Ralph Macchio’s script for this issue is not particularly great, and it’s not helped by the sheer amount of exposition that is dumped into this issue. Storm’s origin is gone over twice, once by the narrator and again when Storm recounts a flashback, with a filler action scene between Cyclops and Storm smack in the middle. Tying Candra to Storm’s past doesn’t make a lot of sense since she has primarily been a Gambit and X-Force villain up to this point. Then there are just the numerous logical gaps: if Candra can possess Cyclops, why not just possess Storm instead? Why would Storm’s mentor give the jewel to her if it holds so much power, and why would she hold onto it if she saw it blow up a mansion full of people? If the jewel is Candra’s weakness, why doesn’t Storm just destroy it this issue instead of making us slog through another issue to destroy it? The macguffin is just too poorly defined, as is the reason Candra has waited so long to try to get it back.

Another baffling choice is the inclusion of minor bit players Karima and Jamil. Storm acts like they are super important to her, but really she’s only met them once and most readers probably had no idea at the time who they were; I know I didn’t. The script doesn’t do much to make us care about either of them at all, since Jamil acts like a brainwashed lackey and Karima has her mouth taped shut the whole issue. They’re never going to be in a comic again after next issue, so don’t worry too much about them.

Cedric Nocon’s art is actually really nice, except for the magically changing proportions and position of the Washington Monument in the Jean and Sam scene. Conversely, that’s probably my favorite part of the issue since it actually makes sense, deals with the characters, and gives Cannonball a little depth. I like that Sam is conflicted about Creed’s death, although it does bring up the question of why the writers set up this months long storyline for him when he contributed absolutely nothing to its resolution. The end is a bit of a red herring; it looks cool, but next issue devolves into a series of twists that don’t come off as interesting or clever as they should, namely because nobody cares about any of the characters other than Storm. This issue just continues the trend of aimlessness that the X-Men suffered pre- and post-Onslaught.

F